“The most spectacular contribution of the book-maker’s art to sixteenth-century science”
Astronomicum Caesareum.
Ingolstadt,
Peter Apian,
1540
Folio (463 by 315mm), [60] ll., title-page framed by a woodcut border, on verso of the same leaf woodcut coat-of-arms of the joint dedicatees Charles V and his brother Ferdinand of Spain, 53 eleven-line and 39 six-line historiated woodcut initials by Hans Brosamer, 36 full-page woodcut astronomical figures coloured by a contemporary hand, of which 21 have a total of 83 volvelles [complete], 42 [of 44] silk threads, and 11 [of 12] pearls, full-page woodcut arms of the author by Michael Ostendorfer on fol. O6, a small letterpress cancel slip on recto of fol. K1 correcting the text, contemporary panelled blind-stamped pigskin over pasteboards, spine in six compartments separated by raised bands, remains of ties.
11839
notes:
First edition of "the most luxurious and intrinsically beautiful scientific book that has ever been produced" (de Solla Price), in an extraordinary hand-coloured early issue, as attested by the letterpress cancel slip on fol. K1r, preserved in a beautiful contemporary German binding.
The author of this popular textbook in astronomy is Petrus Apianus, astronomer and professor of mathematics at Ingolstadt, and a veritable pioneer in the production of astronomical a...
The author of this popular textbook in astronomy is Petrus Apianus, astronomer and professor of mathematics at Ingolstadt, and a veritable pioneer in the production of astronomical a...
bibliography:
Benezit Dictionary of Artists (Paris: Editions Gründ, 2006) vol.II, 332 and vol.VIII, 49; Susan Dackermann, ed., Prints and the Pursuit of Knowledge in Early Modern Europe (New Haven: Yale University Press, 2011), 104-107; Campbell Dodgson, Catalogue of Early German and Flemish Woodcuts, vol.II, (London: British Museum, 1903), 242; George Kish, "Petrus Apianus", in Dictionary of Scientific Biography (vol.1), ed. Charles Coulston Gillesppie (New York: Scribner, 1970-80), 178-179; Stephen Hebron, Marks of Genius: Masterpieces from the Collection of the Bodleian Libraries (Oxford: Bodleian Libraries, 2014), 192-195; Owen Gingerich, Rara Astronomica (Cambridge: Harvard Library Bulletin, 1971), 14; Gingerich, "Apianus's Astronomicum Caesareum", Journal for the History of Astronomy 2 (1971), 168-177; Gingerich, "A Survey of Apian's Astronomicum Caesareum" in Peter Apian, ed. Karl Röttel (Buxheim and Eichstätt: Polyon-Verlag, 1995), 113; Fernand van Ortroy, Bibliographie de l'Oeuvre de Pierre Apian (Amsterdam: Meridian, 1963), 112; Emmanuel Poulle, Les instruments de la théorie des planètes selon Ptolémée, vol.1, (Geneva: Droz; Paris: Champion, 1980), 83; Derek J. de Solla Price, Science since Babylon, (New Haven: Yale University Press, 1975), 104; Margaret Bingham Stillwell, The Awakening Interest in Science during the First Century of Printing, 1450-1550 (New York: Bibliographical Society of America, 1970), 19; E. Zinner, Astronomische Instrumente des 11 bis 18 Jahrhunderts (Munich: Beck, 1956), 1734.
provenance:
Provenance:
1. Bookplate of the Electorial Library of the Dukes of Bavaria.
2. Library stamp of Staatsbibliothek München with deaccession stamp.
3. Otto Schäfer Stiftung, Schweinfurt, Germany.
1. Bookplate of the Electorial Library of the Dukes of Bavaria.
2. Library stamp of Staatsbibliothek München with deaccession stamp.
3. Otto Schäfer Stiftung, Schweinfurt, Germany.
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