The William B. Ginsberg collection of World Maps; an epitome of the most beautiful, powerful, and influential cartographical images of the 15th and 16^th centuries. The earliest printed maps condensed and edited information from three “traditions” of map-making: Christian iconography, classical cartography, and contemporary charts. Ginsberg’s collection encapsulates the subtle metamorphosis of this amalgam of art and science, myth and metaphor, discovery and design, in nineteen maps: from the world map of the ‘Rudimentum novitiorum’ (1475), the earliest printed map, in magnificent original hand-colour; to the largest Italian world map published in the 16^th century, Giuseppe Rosaccio’s ‘Universale Descrittione di Tuto il Mondo’ (1657).