Fair trading

IN 2012, Amanda Sharp and Matthew Slotover, the founders of Frieze—the colourful, sometimes raucous art fair in Regent’s Park, London—launched a new, overlapping event nearby. Frieze Masters, they hoped, would demonstrate the ways in which old art influences what is being made now. In this context, “old”, like historic or traditional, is relative: 1999 is the fair’s cut-off point.