The European Fine Art Fair, known as TEFAF and held every March in the southern Dutch city of Maastricht, had a reputation for stability: the same dealers year after year, bringing their choicest paintings, furniture, and diamond brooches to a well-heeled collector base. But a roiling art market, and increasingly eclectic tastes, led the Dutch fair to set out for New York — and to establish a pair of satellite events, spring and fall, that brought the gentility of Maastricht to a new American crowd.
A Dutch Treasure Trove Returns to New Amsterdam
The New York Times